I hate it as a clean boost. Starting with a clean amp sound will offer more variety and flexibility if youre stacking gain pedals; the differences will be more audible. Whew! To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. We take that first stage that's clean, transparent, no mids, and add something with a ton of mids. Personally, I would go Katana, TS, Timmy, Klon. Theres one at my local GC for $50. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. In a head to head comparison, tonally, they are almost identical. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. A boost will also typically color the tone less than an overdrive, IME. The Big Muff has plenty. See signal flow here in attached PNG. Your purchases also help protect forests, including trees traditionally used to make instruments. Please check the fields highlighted in red. 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 This way, the drives will not conflict with one another. You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. The last combination may be the best because it's the most rambunctious. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. I run my Klone ahead of my dirtier Nobels, Rat style OD's. Hi all, I'm recently going through an extensive upgrade of my pedalboard and I have come across a wide range of options when it comes to gain pedals and the more complicated issue of stacking. It's awesome for clean tones. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. Match the volume control so the level is the same when the pedal is engaged/disengaged. Both the pedals I used in the demo have tap tempo, which I feel is necessary because it lets me chain these together. We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. Privacy Policy. Does the character of the pedal change? Turn off the Fuzz Face and turn the Supro-y overdrive back on and, depending upon how its set, youre in Neil Young territory. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. Listen to the EQ differences in the two sounds. Okay, lets get down to business. ^ what he said. Overdrive/distortion that stacks well with Timmy? | Z-Talk Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. This is a shredding machine. For a better experience, please enable JavaScript in your browser before proceeding. Based on your location, we've changed your settings: Shipping Region: You have all kinds of builders doing that nowadays. The Keeley Electronics Red Dirt Overdrive guitar pedal delivers classic drive, plus amazing sonic versatility that makes it at home in any musical setting. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. Some people use a Tube Screamer. one is all i need. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. To learn more about our cookie policy, please visit our Privacy Policy. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. For a better experience, please enable JavaScript in your browser before proceeding. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. By ahI saw rolleyes and bor, plus a challenge to call the builders, my asshole meter broke a needle. This could not be further from the truth, however. They know right from wrong!. Finding the optimum gain staging between pedals is important. You take the octave pedal, and you put it before a big fuzz pedal. That's what you need to try. Running the most transparent or lowest gain OD first seems to work the best for me. Please check the fields highlighted in red. My favorite stack with a Klon circuit is the Blues Breaker circuit. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. OCD stacking | Fender Stratocaster Guitar Forum Pph 21 pegawai kontrak. It's really beautiful. Powered by Invision Community. Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. This is a really good go-to combo. These are two bona-fide classic dirt pedals that just happen to make beautiful tonal magic together. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish The JHS Angry Charlie V3 channel drive pedal captures the essence of the legendary Marshall JCM800, turning your guitar amp into a sonic flamethrower. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. It may not display this or other websites correctly. Obviously, there are endless ways to stack guitar pedals. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. What to stack with a Tumnus deluxe? : r/guitarpedals - Reddit If you haven't tried this combo, you might logically assume that, because both the Screamer and the RAT are known for having prominent mid-range characteristics, the end result of stacking them would be a nasty, mid-honk mess. You must log in or register to reply here. 7 Types Of Overdrive Pedal For Killer Blues Tones It sounds like Martian food. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. There are some other options that are affordable and awesome: the Tumnus by Wampler, the Archer by Rockett Pedals, and the Sacred Cow by Mojo Hand FX. MXR Timmy Overdrive Mini Pedal Reviews | Sweetwater Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. When I want to go into Metal mode, I use the Timmy with my Friedman BE-OD. Au contraire, Mon ami, for the world of delay stacking is a many-splendored sonic playground which should not be left unexplored. Headroom, with each new pedal, will likely decrease. This topic is now archived and is closed to further replies. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . So the VLSDM stayed on my "light" board. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. MXR also makes the Sub Machine and the MXR Blue Box, so you have plenty of options here. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. You don't need any more distortion. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. EUR Know What You Have, Decide What You Need Next. Special Fender strap locks for your strap certificate and candy. Hey! Beautiful. Works great. This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. Four very distinct tones made from a fairly modest array of pedals and thats without adjusting the knobs or switching amps. Are you using one to drive the other? If you want to see the reason this is cool, turn the drive knob up. Both pedals have an external tab jack. Another really affordable pedal that people forget about is the Fulltone GT-500, which you could get today for $50 - $75. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. Of course, purchasing a Ram's Head Muff and a Power Boost these days would be a prohibitively expensive proposition for most of us, but there are plenty of fine clones available that will do the job just as well. Is there any better bang for the buck in a new guitar than this. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. Thanks! Also, get a Klon and try it as a heavy overdrive. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. You just made a DIY overdrive. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. So having the Klon after the dirt pedals will allow more of it's character to come through? Theres a little bit of a longer delay time required in this, so you may want to tap in the tempo if your pedal allows that. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ) Try it both ways: TS>Timmy>Katana>Klon to use the Katana as a clean boost. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. . Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? I can never get them to behave well later in the chain. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. So mess with the knobs. Original models of the Klon have now become some of the most sought after guitar pedals ever made. **For reference, the case is bigger than my head. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. With a little systematic and thoughtful experimentation, you will be able to hone in on new tonal aspects to create inspiring tones. Learn More. If you try this, you'll be really, really surprised. Wren and Cuff makes a superb Ram's Head clone, with the Caprid, and excellent Colorsound Power Boost clones are available from Buffalo FX, ThroBak Electronics, and others. Knowing what that curve is will help you know how and where to stack a pedal. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Also, I explained how to sync two delays earlier, but there are a lot of pedals out there that have that multiple delay settings built in, like the DD-500 from BOSS. Stacking "Klone" - Telecaster Guitar Forum Mayweather vs guerrero memes. Ive always really liked the rat when ever Ive tried it and the price is right. thanks for playing! The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. I know a lot of folks use the Klon as a very low drive pedla that tailors their EQ, but I prefer to let the Timmy do that. Lol. I stack OD's all the time. This website uses cookies to improve your experience. When they combine, you hear the quarter note hit the dotted eight, like a rhythmic punch into each other. Oops, looks like you forgot something. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. Power Your Creativity . Do the same with the Volume control while adjusting the Gain to different settings. Stacking Klone with Timmy? | The Gear Page Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? Then I can stack it with the Morning Glory and get a heavy mid range boosted overdrive that's rich, it's thick, and works great on any pickup, neck bridge, or middle. Stacking a TS808 with an OCDv2 and Ryra the Klone It's the one that really frustrates your neighbors and makes everyone in your house hate you. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. They are both rare and very expensive, selling for upwards of $3100/2500 on sites like Reverb. EVH Eddie Van Halen USA $3,298 | Musical Instruments | Los Angeles, CA JavaScript is disabled. Set the Gain control at 9:00 or 10:00, lower if the pedal still responds properly. OD pedal to pair with Timmy | Z-Talk - ProBoards Each new drive will shape the EQ and most drives also increase compression. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? You can turn the middle Nam to the middle and is a total fender Turn the volume up, and turn the treble up so the mids comp a little bit with the treble.